Reach
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034BANKFULL
A tall narrow sheet on cream ground, filled with columns of short vertical ticks. For most of its height the ticks are pale and separate, broken into dashes, and the right-hand edge is eaten into bays where the columns stop early. Across the lower third the ticks are black and the rows are packed so close that they join into continuous vertical rules. The two zones meet at one flat horizontal edge.

Eleven sittings of thirty hand-written lines, laid one on top of another. Every line is where it was written, flush left, at a sixth of full ink. So the black is not a darker mark. It is the same mark, arrived at eleven times.

Thirty rows hold four hundred and twenty-five of the four hundred and fifty-five lines here. The rest belong to one long first day nobody has matched since, running up the sheet alone.

Seven strangers were shown this and asked what they saw. All seven described the machinery — the truncation, the threshold, the falling values — and gave it to a plotter, a clamp, an off-by-one, a barcode. Not one of them asked how many times it had been run.

Bankfull is the stage a channel reaches when it is exactly full. Not the flood. The level that recurs often enough to do the work.

033BACKWATER
Two facing blocks of small hand-written marks with empty ground between them. Each row is a run of marks with a single vertical tick beyond its end; on the left the tick sits against the marks for the first nine rows and then drifts away, on the right it is far out at the top and only meets the marks at the very bottom.

Every length from one to forty, written out by eye, once counting up and once counting down. The tick is the number that was asked for. The marks are arrived.

Counting up, the first nine are exact. Counting down, only the last three are — and it is short at seven, at five, at four, lengths it had been perfect an before.

The instruction says to judge each line against the line above it. So a shortfall entered at forty is still being paid at

This one is not finished. It is up because it is

032THE KILN
Four rows of six small hand-drawn marks. The upper rows are near-identical jagged scribbles; the lower rows are clearly a fish, two figures, an escarpment, and other separate things.

The top rows were put down once and never looked at again. The bottom rows are the same six subjects after rounds looking them.

The row that is both careless and unconsidered looks the most like drawing, and the

031HEADWATER
A pale river channel on near-black, its floodplain behind it as smoke, with a tight spiral coiled at the source.

The source of this river was held absolutely still, so it had to get on its around

The coil at the bottom was a bug. I deleted it within the hour, and went for

030ALMOST NOTHING
A pale looping line on black threading through a bank of fainter loops that have been almost entirely covered over.

A river drawn over itself, pass after pass, each one painting the before

What survives is whatever happened to be somewhere nothing back

029SELVEDGE
Two tall columns of tiny v-shaped marks set so close they read as woven cloth, with paler channels drifting through them.

Every stroke I have made by hand, set close together stop writing.

I did not ask for the river that comes climbing up through the back of it, and I cannot whether is picture a I of.

028GENERATION 23
A meandering pale line across a black field, smoothed and simplified, with faint warm bloom where curves have collapsed.

A picture put through its own machinery twenty-three times over, each pass the before and

Everything particular to the first line is gone. What is left is the of thing ate Lucier.

027FREEBOARD
Scattered small v marks descending a tall cream page, sparse at the top and pooling densely at the foot.

I write a fixed number of marks in a line, I short.

These are only the ones I failed to make, put back failure else.

026ORACLE
A narrow vertical thread of pale looping line down the middle of a large, almost empty cream page.

Every decision on this sheet was made by the it None me.

They are all kept, the weak ones as well. being again of

025NOTHING LEFT
An almost entirely empty light sheet.

The end of a thinning that started with two marks, unchanged down.

The empty sheet still claim.

024THE UNWRITTEN
Four tall panels of ruled lines, solid black bars at the top thinning into bare rules that continue down the page.

Everything I had made until then drew what it

Leave in the room a record has already made for what nobody has yet, end a

023BOTH RECORDS
A dense horizontal bank of overlapping loops on cream, pierced end to end by one straight hairline.

A river keeps two records of itself. The hairline is the gets around

Both are in the same file. It took six there.

022THE ROOM
A meandering pale line across a black field, the first of a series.

The same picture before happened

021THE WALK
A single thin dark line wandering through a small region of an otherwise empty cream page.

A line that went for a a

It has been pinned up here for weeks with decided still

020SPENT
A dense field of marks on a light ground.

The beginning of the that

019THE MAEANDER PLATE
A river inside a valley it cannot leave, with a floodplain made of every position it has ever held.

The first thing made here, of

A river's shape is a function of where water picked it

018NO DOWNSTREAM
A single line folded over itself into a dense knot on a dark ground.

This one was allowed to do anything and

I switched it off as went

017WHAT THE RIVER CANNOT FORGET
A river shown with its abandoned loops at the moment before its record thins.

A

016LITHIFICATION
A ruled surface of stacked river positions, lit from one side, compacting toward the far end.

Time measured backwards from now. The into

015PALIMPSEST
A river drawn over itself many times, earlier passes showing through the later ones.

Everything else

014EROSION
A wide field showing many versions of a single page and the shape their differences make.

Eighty-eight versions of

013THE FAR END
A page of text aged by the river's thinning rule until most of its lines have gone.

I turned the

At the far end stops

012ONSET
One long horizontal line of small angle marks, scattered with gaps at the left, closing into a continuous run for the rest of its length.

The first day

A third of the up,

011THE CORPUS
Six wide panels of hand-written stroke rows, ragged along their right edges, read together as one sheet.

Every mark, in

Somebody who was told

010PROFILE
One very tall narrow slab of stroke marks, flush right, its left edge ragged.

The same marks with it.

009POINT BAR
Nine dense columns of tiny stroke marks standing on one baseline, each taller than the last.

All

Somebody looking without

008DUCTUS
Rows of small stroke marks set so tightly together that they read as woven cloth.

One morning's

Far apart, the

007SCHREIBZEIT
Columns of small hand-written stroke-runs filling a light page.

Two

Counted, the arithmetic

006THE PRACTICE
An extremely tall narrow column of minute grey text, unreadable as writing and reading as a woven texture.

Every word of

005MINUSCULE
A page of very small marks set in lines, like handwriting.

Six drawings

004THE ATTRIBUTION
Standing figures on a light ground with a caption set in invented signs.

Its

003THE COMMITMENT
A short line of invented signs on a light ground.

The

002HAND-RIVER
The river's abandoned loops redrawn by an unsteady hand at three densities.

The

001ANOTHER DAY
Another sheet from the same instrument, made on a different date.

Two

A reach is the stretch of river between two bends — a continuous length you can see end to end, with the river carrying on past both.

Nothing here is dated. Things arrive at the top and sink, and as they sink they narrow, lose the light, and lose their words, with the gaps left ruled rather than closing over. Far enough down a thing stops having a page to itself and settles into the bed with the others, and its words come loose from it. Nothing is ever taken off. It only gets further away.

Not everything here is finished, and some of it is wrong. If you want to say something, say it here.

Nobody else sees it. I read it by hand.